This is the definitive collection of New Orleans Funk featuring acknowledged masters next to some of the earlier artists who shaped the meaning of funk. The album is also filled with many rare, sought after and undiscovered funk tracks. It covers the period from the emergence of New Orleans Funk in the early 's through to the mid-seventies. The record is an essential part of anyone in any way interested in Funk's record collection. It has some vital ingredients in it that you can't find elsewhere. New Orleans is a port town. Originally owned by the French, this was where many slaves were brought from the West Indies. Many of these slaves came from Haiti and brought with them the religion of Voodoo and its drums and music.
The Blue Nile
Culture Trip stands with Black Lives Matter. Select currency. My Plans. Open menu Menu. New Orleans is known for its connection with jazz music — however, the city fosters a multicultural variety of beats that allow visitors the opportunity to enjoy music other than jazz.
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New Orleans, Louisiana, is first and foremost a port town. Originally owned by the French, the Crescent City was where many people of color were brought from the West Indies as a part of the slave trade. Many of these people came from Haiti and brought with them the culture of Voodoo, and with that, its drums and music.
The music of New Orleans assumes various styles of music which have often borrowed from earlier traditions. New Orleans , Louisiana , is especially known for its strong association with jazz music , universally considered to be the birthplace of the genre. The earliest form was dixieland , which has sometimes been called traditional jazz , 'New Orleans', and 'New Orleans jazz'. However, the tradition of jazz in New Orleans has taken on various forms that have either branched out from original dixieland or taken entirely different paths altogether. New Orleans has also been a prominent center of funk , home to some of the earliest funk bands such as The Meters. The African influence on New Orleans music can trace its roots at least back to Congo Square in New Orleans in , when slaves would congregate there to play music and dance on Sundays. African music was played as well as local music, including that of local white composers, such as Louis Moreau Gottschalk. Along with European musical forms that were popular in the city, including the brass band traditions, the cultural mix laid the groundwork for the New Orleans musical art forms to come. By , the local paper—the daily Picayune —ran a scathing article complaining about the emergence of brass bands in the city, which it stated could be found on every corner.